{"id":1494,"date":"2025-03-22T17:21:38","date_gmt":"2025-03-22T16:21:38","guid":{"rendered":"https:\/\/www.andreamonarda.com\/press\/"},"modified":"2026-04-07T22:12:17","modified_gmt":"2026-04-07T20:12:17","slug":"press","status":"publish","type":"page","link":"https:\/\/www.andreamonarda.com\/en\/press\/","title":{"rendered":"Press"},"content":{"rendered":"<p><a href=\"https:\/\/scherzo.es\/el-dinamismo-de-la-musica-brasilena-a-traves-de-la-guitarra-clasica\/\" target=\"_blank\" rel=\"noopener\">El dinamismo de la m\u00fasica brasile\u00f1a a trav\u00e9s de la guitarra cl\u00e1sica | Scherzo.es, 2025<\/a><\/p>\n<p><a href=\"https:\/\/www.andreamonarda.com\/wp-content\/uploads\/2025\/03\/Gendai-Guitar-2025-04-p.-48.pdf\" target=\"_blank\" rel=\"noopener\">F. Mignone: Doze Valsas | <em>Gendai Guitar, 2025<\/em><\/a><\/p>\n<p><a href=\"https:\/\/www.andreamonarda.com\/wp-content\/uploads\/2025\/03\/IMG_0579.jpg\">K\u00fchne Kl\u00e4nge gegen das Erstarren | <em>Allg\u00e4uer Anzeigeblatt, 2024<\/em><\/a><\/p>\n<p><a href=\"https:\/\/www.andreamonarda.com\/wp-content\/uploads\/2025\/03\/Gnatalli_Mignone-recensione-sulla-rivista-olandese-HET-NEDERLANDSE-DAGBLAD.jpg\">Gnattali-Mignone. Complete Studies for Guitar | <em>Het Nederlandse Dagblad, 2022<\/em><\/a><\/p>\n<p><a href=\"https:\/\/www.andreamonarda.com\/wp-content\/uploads\/2025\/03\/Gendai-Guitar-luglio-2022-p.-55.pdf\" target=\"_blank\" rel=\"noopener\">Gnattali, Mignone: Complete Studies for Guitar | <em>Gendai Guitar, 2022<\/em><\/a><\/p>\n<p><a href=\"https:\/\/www.giornaledellamusica.it\/news\/lorchestra-filarmonica-calamani-al-teatro-mancinelli-di-orvieto\" target=\"_blank\" rel=\"noopener\">L\u2019Orchestra Filarmonica Calamani al teatro Mancinelli di Orvieto | <em>gdm &#8211; giornaledellamusica.it, 2022<\/em><\/a><\/p>\n<p><a href=\"https:\/\/www.andreamonarda.com\/wp-content\/uploads\/2025\/03\/Amazing-Puglia-intervista.jpg\">Andrea Monarda, la chitarra virtuosa | <em>Amazing Puglia, 2019<\/em><\/a><\/p>\n<p><a href=\"https:\/\/villa-lobos.blogspot.com\/2019\/07\/strong-villa-lobos-guitar-and-great.html\" target=\"_blank\" rel=\"noopener\">Strong Villa-Lobos guitar, and a great modernist chamber work |\u00a0<em>The Villa-Lobos magazine, 2019<\/em><\/a><\/p>\n<p><a href=\"https:\/\/www.andreamonarda.com\/wp-content\/uploads\/2025\/03\/Recensionecanciones.pdf\" target=\"_blank\" rel=\"noopener\">IMduo: Canciones | <em>Seicorde, 2018<\/em><\/a><\/p>\n<p><a href=\"https:\/\/www.andreamonarda.com\/wp-content\/uploads\/2025\/03\/Coste_La-recreation-du-guitariste_recensione-Sei-corde-dic.-2018.pdf\" target=\"_blank\" rel=\"noopener\">Napol\u00e9on Coste. La r\u00e9cr\u00e9ation du guitariste | <em>Seicorde, 2018<\/em><\/a><\/p>\n<p><a href=\"https:\/\/www.andreamonarda.com\/wp-content\/uploads\/2025\/03\/Recensione-Fuguette.jpg\">Interprete, poliglotta, didatta e compositore | <em>Seicorde, 2016<\/em><\/a><\/p>\n<p><a href=\"https:\/\/www.andreamonarda.com\/wp-content\/uploads\/2025\/04\/Recensione-SEICORDE-settembre-2016.pdf\" target=\"_blank\" rel=\"noopener\">Un banco di prova per studenti e concertisti | <em>Seicorde, 2016<\/em><\/a><\/p>\n<p><a href=\"https:\/\/www.extramagazine.eu\/it\/blog\/7-eventi\/2404-andrea-monardain-equilibrio-su-una-corda-di-chitarra.html\" target=\"_blank\" rel=\"noopener\">Andrea Monarda\/In equilibrio su una corda (di chitarra) | <em>Extra Magazine<\/em><\/a><\/p>\n<p><a href=\"http:\/\/www.renzocresti.com\/dettagli.php?quale=2&amp;quale_dettaglio=386\" target=\"_blank\" rel=\"noopener\">Andrea Monarda, &#8220;Alessandro Solbiati, nella mente del compositore&#8221; | <em>Renzo Cresti<\/em><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>El dinamismo de la m\u00fasica brasile\u00f1a a trav\u00e9s de la guitarra cl\u00e1sica | Scherzo.es, 2025 F. Mignone: Doze Valsas | Gendai Guitar, 2025 K\u00fchne Kl\u00e4nge gegen das Erstarren | Allg\u00e4uer Anzeigeblatt, 2024 Gnattali-Mignone. Complete Studies for Guitar | Het Nederlandse Dagblad, 2022 Gnattali, Mignone: Complete Studies for Guitar | Gendai Guitar, 2022 L\u2019Orchestra Filarmonica Calamani [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":1414,"parent":0,"menu_order":7,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"class_list":["post-1494","page","type-page","status-publish","has-post-thumbnail","hentry"],"acf":[],"publishpress_future_action":{"enabled":false,"date":"2026-10-22 00:56:45","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"translation_priority","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.andreamonarda.com\/en\/wp-json\/wp\/v2\/pages\/1494","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.andreamonarda.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.andreamonarda.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.andreamonarda.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.andreamonarda.com\/en\/wp-json\/wp\/v2\/comments?post=1494"}],"version-history":[{"count":7,"href":"https:\/\/www.andreamonarda.com\/en\/wp-json\/wp\/v2\/pages\/1494\/revisions"}],"predecessor-version":[{"id":1822,"href":"https:\/\/www.andreamonarda.com\/en\/wp-json\/wp\/v2\/pages\/1494\/revisions\/1822"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.andreamonarda.com\/en\/wp-json\/wp\/v2\/media\/1414"}],"wp:attachment":[{"href":"https:\/\/www.andreamonarda.com\/en\/wp-json\/wp\/v2\/media?parent=1494"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}